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The restoration desk: correct wardrobe, setting and light on frames that are nearly right. One correction per commission, originals preserved, prices stated upfront.
The restoration desk
Every season produces frames that are nearly right: the pose carries, the light is true, and the gown is wrong for the set it must join. The restoration desk exists for those frames. State the correction in plain language — wardrobe, room, light, a detail — and the frame is re-rendered with the correction applied and its composition kept. The price is stated per commission before you confirm, and the original remains untouched in your library, as any court keeps the piece that was brought in.
The discipline of the desk is one correction at a time. A brief that asks for a new gown, a new room and a new pose in a single commission is not a restoration; it is a new sitting wearing the old frame’s name, and it will cost and behave like one.
The order of a restoration
Select frames worth restoring
Strong pose and honest light, wrong details. A frame with poor bones costs more to correct than to commission again.
Brief one correction
A single instruction per commission keeps the rest of the frame standing and the price predictable.
Compare, and keep the better
Original and restoration rest side by side in your library. Present the winner; the other costs nothing further.
Corrections most often requested
The gown changed
One frame dressed for three different sets — the swiftest way to widen a catalogue without new sittings.
The room changed
Chamber to mirrored hall to studio backdrop, while the subject and her light stay exactly where they were.
The hour changed
Morning to candlelight, soft to dramatic — a frame re-lit to sit comfortably among its new neighbours.
Instructions that restore cleanly
“Change the black gown to deep royal-purple velvet, keep the pose, the hair and the light identical.”
The correction is named, and everything else is placed under protection. A “keep identical” clause is inexpensive insurance.
“Move the scene to a mirrored hall with gilded frames and evening light, keep the subject and pose unchanged.”
One room exchanged for another. Ask for a new room, a new gown and a new pose together and you have commissioned a sitting, not a restoration.
Restore, or sit again?
| Situation | The better course |
|---|---|
| Pose and light are right, details are wrong | Restore — it keeps the frame’s bones at a lower price |
| The composition itself misses | Sit again with a corrected brief |
| One frame needed in three gowns | Restore three times from the keeper |
Can I generate anything for free?
Free work runs through the stills court: the daily check-in grants 6 credits, exactly one standard portrait. Restorations are priced per commission, stated before you confirm — and correcting a keeper is normally cheaper than sitting and selecting a whole set again.
How is restoration priced?
Per commission, stated before you confirm. One correction per commission keeps both the frame and the price steady.
Does a restoration overwrite my original?
No. A restoration is a new piece; the original stays in your library untouched.
Can I restore uploaded photographs too?
Yes — your own photographs follow the same consent law as every upload in this court.
What if a restoration misses?
Narrow the instruction and name what must stay identical. Vague briefs are the chief cause of restorations that wander.
One account holds the whole court
Portraits, motion, restorations, casting and finishing share one credit balance and one private library. Begin with the commission you need today.
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